Film Club
Join the RSC Film Club, all you need to do to join is take part as often as you want.
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Welcome to the RSC Film Club A chance to watch and discuss films, maybe your favourites, maybe something you’ve never heard of before, with all your favourite crew mates. We will be watching one film per month, hopefully giving everyone a chance to watch the film and to have a decent discussion about it before moving on to the next one. How do we choose what to watch? There will be a different theme/genre every month to keep things fresh, which will be announced in this thread. Everyone is free to nominate a film in this thread, all of which will be put in a random draw and chosen by good ol’ trustworthy @Con (it’ll just be luck that his films …
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Monty Python and the Holy Grail [RSC Film Club 55]
by LimeGreenLegend- 1 follower
- 1 reply
- 1.1k views
This month's film club selection, thanks to @djw180, is Monty Python and the Holy Grail, the first feature length film from the legendary British comedy troupe made up of Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin. Directed by the two Terrys, Jones and Gilliam - both of their directorial debuts - the film is a spoof of Arthurian legend in the Python's own surreal and slapstick style. Chapman stars as King Arthur (I didn't vote for him) who, after assembling his knights of the round table, is given a quest by god, to seek out the Holy Grail. Their journey sees them face off against animated monsters, rude Frenchmen and…
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The Reader [RSC Film Club 53]
by LimeGreenLegend- 1 follower
- 1 reply
- 814 views
The first half of our awards season double-bill, nominated by @djw180, is the 2008 drama The Reader, for which Kate Winslet won the Oscar for Best Actress. This is a film I know nothing about, but the synopsis sounds interesting, with Winslet playing a guard at a concentration camp. It co stars the always brilliant Ralph Fiennes as well as Bruno Ganz and Lena Olin. As well as Winslet's win, the film was nominated for Best Film, Director, Adapted Screenplay and Cinematography. it doesn't matter what i feel, it doesn't matter what i think. the dead are still dead
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Leaving Las Vegas [RSC Film Club 54]
by LimeGreenLegend- 1 follower
- 1 reply
- 595 views
The second half of our Oscar double-bill is the film that got Nicolas Cage a Best Actor award, Leaving Las Vegas, as nominated by @omarcomin71. Cage plays suicidal, alcoholic screenwriter Ben Sanderson who, when he feels like he has nothing left to live for, resolves to go to Las Vegas and drink himself to death. While there he meets prostitute Sera, plated by Elisabeth Shue and the bond they form may be enough to bring him back from the brink. As well as Cage's win, the film was nominated for Best Director, Actress for Shue, and Adapted Screenplay. i don't know if i started drinking 'cause my wife left me or my wife left me 'cause i st…
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Akira [RSC Film Club 39]
by LimeGreenLegend- 2 followers
- 3 replies
- 868 views
The first film of 2022 will be our second animated film, and that is Katsuhiro Otomo's Akira, nominated by @djw180. An absolute landmark in the history of animation, Akira is a cyberpunk film about a biker gang getting involved in military experiments exploring the limits of telekinetic power. Incredibly detailed backgrounds of the towering, neon drenched Neo-Tokyo set the standard of what cyberpunk looks like and the soundtrack, a mixture of the traditional and the futuristic, perfectly sets the mood. And then there's the finale, which I'll leave you to experience for yourself. I only watched this recently but I'm glad for an excuse to re-watch it as this w…
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Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles [RSC Film Club 52]
by LimeGreenLegend- 1 follower
- 1 reply
- 752 views
Our first film of 2023 is the winner of the latest once-a-decade Sight and Sound poll to determine the greatest film of all time, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles by Chantal Akerman. The film stars Delphine Seyrig as the titular Jeanne Dielman, a middle aged widow who lives a quiet, orderly life with her teenage son Sylvain (Jan Decorte), while also entertaining the occasional gentleman caller for some extra money. The film follows her over three days where you can watch her slowly unravel in the most subtle way. This isn't a film that everyone will enjoy, being nearly three and a half hours long and consisting of minutes long stat…
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The Muppet Christmas Carol [RSC Film Club 51]
by LimeGreenLegend- 1 follower
- 2 replies
- 644 views
I'm pretty sure that Charles Dickens' A Christmas Carol is one of, if not the most adapted literary work of all time, and this right here is the best of the bunch. Directed by Brian Henson, son of the legendary Jim Henson, The Muppet Christmas Carol stars Michael Caine as Ebenezer Scrooge with a supporting cast that includes Kermit the Frog and Miss Piggy as Bob and Emily Cratchitt, The Great Gonzo as Charles Dickens and Rizzo the Rat as himself. Everyone knows this story, but if you've never seen this version before I think you'll be surprised at how faithful this is to the source material. Michael Caine is genuinely brilliant as Scrooge, playing it straight…
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Steve Jobs [RSC Film Club 44]
by LimeGreenLegend- 2 followers
- 4 replies
- 983 views
This month we're delving into the filmography of Oscar winning director Danny Boyle thanks to @Con's nomination. His is an incredibly varied filmography, from gritty drama to Bollywood musical through to sci-fi and feel-good family fare he's pretty much done it all. The film we'll be watching, nominated by @djw180, is a biopic, that of Apple co-founder Steve Jobs, also the title of the film. Written by Aaron Sorkin of The West Wing fame, Steve Jobs stars Michael Fassbender in the title role. The film covers the period in his life from 1984 up to the release of the iMac in 1998. It co-stars Kate Winslet as Apple marketing exec Joanna Hoffman, Seth Rogen as A…
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Flash Gordon [RSC Film Club 50]
by LimeGreenLegend- 1 follower
- 3 replies
- 717 views
Our fiftieth film for the film club is a cult classic and guilty pleasure, as per @omarcomin71's category nomination. That film is 1980's Flash Gordon, chosen by @djw180. Sam J. Jones plays Flash, football star of the New York Jets who has to defend the Earth from Ming the Merciless (Max von Sydow). As well as Sydow there are a number of fantastic actors in supporting roles such as Topol, Timothy Dalton, and the shy and retiring Brian Blessed. I have vague memories of seeing this as a child but I couldn't tell you a thing about it apart from the legendary soundtrack by Queen, so I can't wait to watch this again. gordon's alive
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Rosemary's Baby [RSC Film Club 49]
by LimeGreenLegend- 1 follower
- 4 replies
- 686 views
Our Halloween selection this year was nominated by our resident horror expert @Con, and that is Rosemary's Baby from 1968. It stars Mia Farrow as Rosemary Woodhouse, a young pregnant woman moving into a new apartment with her husband Guy, played by director John Cassevetes. But she soon starts to suspect that her elderly neighbours may have a less than innocent interest in her baby. Widely regarded as one of the great American horror films, it won several awards, including a Best Supporting Actress Oscar for Ruth Gordan, who plays Rosemary's sinister neighbour Minnie. This is another classic horror film that I haven't seen yet, so I'm looking forward t…
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The Untouchables [RSC 48]
by LimeGreenLegend- 1 follower
- 2 replies
- 659 views
We're diving into the world of organised crime this month with @djw180's nomination of Brian De Palma's The Untouchables. Based on a true story, this film stars Kevin Costner as by the book lawman Eliot Ness who is determined to bring down Al Capone (Robert De Niro) and his illegal bootlegging activities. He is helped by his crew of untouchables, so called because they can't be bribed, unlike most of the cops in Chicago. This group is made up of Charles Martin Smith, Andy Garcia, and, in an Oscar winning performance, Sean Connery. Throw in a classic Ennio Morricone score (my favourite of his), and you have one classy flick. It's been a while since I've…
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Old Henry [RSC Film Club 47]
by LimeGreenLegend- 1 follower
- 3 replies
- 878 views
Our second film for this month's double feature is @omarcomin71's nomination of the recent western, Old Henry. The film stars the always excellent Tim Blake Nelson in a rare leading role. He plays the titular character, a widowed farm owner who must protect it, and his sons, from local outlaws. Not having even heard of this film, let alone seen it, I don't have much to say, so here are some quotes from favourable reviews. From TheWrap, Steve Pond said he wished parts of the film were "more expansive" but overall described it as a "beautiful elegy" with a finale that feels "just right." Writing for The Hollywood Reporter, David Rooney described the direc…
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Bad Luck Banging or Loony p*rn [RSC Film Club 46]
by LimeGreenLegend- 1 follower
- 4 replies
- 1k views
This month the film club was open choice, and the first of the two films selected is Radu Jude's confrontational and explicit Bad Luck Banging or Loony p*rn. This film stars Katia Pascariu as teacher Emi whose s*x tape that she makes with her husband is somehow leaked online. Kids in her class see it and she is quickly summoned before a group of teachers and parents who are to decide if she's fit to be a teacher. Told in three distinct acts, this is the very definition of confrontational cinema, with it opening with the McGuffin of a s*x tape in all of its glory. But the real meat of the film is the meeting to decide Emi's fate, things getting more and…
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Young Frankenstein [RSC Film Club 45]
by LimeGreenLegend- 1 follower
- 2 replies
- 650 views
This month we are celebrating the work of the legendary Mel Brooks by watching one of his films, namely Young Frankenstein, as nominated by @djw180. Gene Wilder stars as Dr. Frederick Frankenstein, grandson of the infamous mad scientist who re-animated a corpse. After inheriting his estate, Frederick takes up his grandfather's work and makes a monster of his own (the brilliant Peter Boyle). This is peak Brooks, with the jokes coming thick and fast - the first joke happens before a single word is said, just count how many times the clock tolls over the opening credits - all delivered perfectly by an incredible supporting cast including Marty Feldman, Cloris Le…
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Strictly Ballroom [RSC Film Club 43]
by LimeGreenLegend- 1 follower
- 3 replies
- 912 views
This month's film club selection, nominated by @djw180, is the Australian rom-com Strictly Ballroom, directed by Baz Luhrmann. This is the first part of an unofficial trilogy, followed by Romeo + Juliet in 1996 and Moulin Rouge in 2001. The film sees talented dancer Scott Paul Mercurio) team up with beginner Fran (Tara Morice) as no one else will dance with him due to his unconventional style which has seen him denounced by the Australian Dancing Federation. I've not seen this before, but having had seen Romeo + Juliet and Moulin Rouge I'm expecting something bold and brash and oozing with style and energy and melodrama. i'm not danci…
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Citizen Kane [RSC Film Club 42]
by LimeGreenLegend- 1 follower
- 3 replies
- 922 views
The second half of our Oscar special, a winning Best Screenplay film, is the legendary Citizen Kane, arguably the greatest film ever made, easily the most influential. When elderly, reclusive billionaire media mogul Charles Foster Kane (Orson Welles) dies in his palatial estate, dogged reporter Jerry Thompson (William Alland) sets out to discover the meaning behind his enigmatic last word, "Rosebud". He interviews people who knew him and we get to see Kane's entire life from childhood through to his lonely death. This is Orson Welle's debut film, and as well as starring in the lead role he also directed, produced and co-wrote the screenplay with Herma…
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Fargo [RSC Film Club 41]
by LimeGreenLegend- 1 follower
- 2 replies
- 738 views
To celebrate this years Oscars, and Will Smith's mental breakdown, we're rounding out the 'big five' by watching films that won the award for Best Actress and Best Screenplay. @omarcomin71will be pleased with the results of the Best Actress pick, Frances McDormand's winning performance as Marge Gunderson in the Coen Brother's Fargo, something he's been nominating for months 😉 A pitch-black crime comedy, McDormand plays the sweet natured yet ruthlessly efficient cop investigating a kidnapping case for car salesman Jerry Lundegaard (William H. Macy) and a series of murders committed by the psychopathic Gaear Grimsrud (Peter Stomare) and his quick talking partne…
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The Long Kiss Goodnight [RSC Film Club 40]
by LimeGreenLegend- 2 followers
- 5 replies
- 837 views
This month we are celebrating the long career and extensive filmography of Samuel L. Jackson, the highest grossing actor of all time whose films have made a worldwide total of over 20 billion dollars. Billion. The film we'll be watching is the 1996 spy film The Long Kiss Goodnight. The film stars Geena Davis (whatever happened to her?) as amnesiac teacher Samantha who may have been a spy before she lost her memory. With the help of our man Jackson as private detective Mitch Henessey she attempts to put together the pieces of her past. Directed by Renny Harlin (Die Hard 2, Cliffhanger) and written by Shane Black (Lethal Weapon, The Last Action Hero, The Nice…
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Barton Fink [RSC Film Club 37]
by LimeGreenLegend- 2 followers
- 3 replies
- 941 views
This month's film club selection comes from the filmography of Ethan and Joel Coen, as nominated by @djw180. The winning film is their lesser known 1991 thriller/comedy/noir film Barton Fink, selected by @Con. Set in the early 40s, Barton Fink stars John Turturro as the titular character, a hot new playwright who goes to Hollywood to start working on movies. However, upon arriving he finds that he is being told what to write, and has to stay at the rundown Hotel Earle, which may in fact be hell. This film has a great, and terrifying, supporting turn from John Goodman as Charlie Meadows, his hotel neighbour, and smaller but memorable roles for the likes of St…
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Die Hard [RSC Film Club 38]
by LimeGreenLegend- 3 followers
- 4 replies
- 971 views
It's taken three years, but we're finally celebrating Christmas at the Film Club with Die Hard thanks to @TheFox2000unit's nomination. Directed by John McTiernan (Predator, The Hunt for Red October, The Last Action Hero), Die Hard is a holiday classic about family, friendship and a terrorist takeover of a Los Angeles skyscraper. Bruce Willis stars as blue-collar New York cop John McClane, in town to visit his estranged wife and kids at Christmas. But soon after he goes to meet her at Nakatomi Plaza, the skyscraper in which she works, it is taken over by a group of terrorists led by Hans Gruber, played by Alan Rickman in a fantastically hammy scene-stealing …
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La Strada [RSC Film Club 34]
by LimeGreenLegend- 2 followers
- 6 replies
- 969 views
This month we are going international as the film club watches a movie in a language that we've not yet covered, as suggested by @djw180. So no films in English, French, Norwegian, Korean or Japanese could be nominated. The winning film, nominated by me, is Federico Fellini's neorealist drama, La Strada (The Road). It stars Giulietta Masina as Gelsomina, a naive and simple young woman whose mother sells her to a travelling circus to be the wife and assistant of the brutish strongman, Zampanò (Anthony Quinn). She soon falls in love with the circus's clown, Il Matteo (Richard Baseheart) and considers leaving her jeasous and violent husband for him. I…
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Nosferatu: A Symphony of Horror [RSC Film Club 35]
by LimeGreenLegend- 1 follower
- 4 replies
- 922 views
It's spooky season and that can only mean one thing here at the film club, time for horror. Just like last year we are having a double bill with a classic and a modern horror film. For our classic selection we have F.W Murnau's legendary German expressionist vampire film Nosferatu: A Symphony of Horror. Starring Max Schreck as Count Orlok the film is an unauthorised retelling of Bram Stoker's Dracula, the names all changed to avoid lawsuits, but other than that it is a pretty faithful version of the story. It was so faithful that the estate of Bram Stoker sued the production company and won, putting the company out of business and having a judge rule that al…
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The Shining [RSC Film Club 36]
by LimeGreenLegend- 1 follower
- 2 replies
- 812 views
The modern half of our horror double bill was nominated by @PretendWereDeadand is Stanley Kubrick's haunted house masterpiece, The Shining. The film stars Jack Nicholson and Shelley Duvall as Jack and Wendy Torrance, a couple charged with looking after the isolated Overlook hotel during the winter months. Along with their young son Danny (Danny Lloyd) the soon discover that they may not be alone. I don't think I have to say much more about this film here, it's so legendary that even the carpet is iconic. It is interesting to note that Stephen King, author of the book on which this is based, hated this film so much that he made his own TV miniseries ver…
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American Graffiti [RSC Film Club 33]
by LimeGreenLegend- 2 followers
- 6 replies
- 990 views
The genre for August's Film Club selection, as nominated by @Conwas school/college films. The winning entry, nominated by both @djw180and @Squirrelis George Lucas's ode to his teenage years, American Graffiti. Set over the last night of summer vacation, the film follows a group of teenagers as they hang out for the last time, cruising in their hot rods, trying to pick up girls and looking to the future. It stars Ron Howard (Happy Days) before he became an Oscar winning director and Richard Dreyfuss (Jaws), with an expansive supporting cast that includes Harrison Ford (you know who he is). Not only did the film fuel the wave of 50s/60s rock 'n' roll nostalgia…
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A Bronx Tale [RSC Film Club 32]
by LimeGreenLegend- 3 followers
- 8 replies
- 1.3k views
This month's category, chosen by @djw180 was play adaptations with the winning film being @omarcomin71's selection of A Bronx Tale. The directorial debut of Robert De Niro, A Bronx Tale is based on the 1989 autobiographical play of the same name, which was a one man show by Chazz Palminteri, who also adapted the play for the screen. The film is a coming of age story where the young Calogero (Francis Capra/Lillo Brancato, Jr. as child and teen Calogero respectively) is torn between his father Lorenzo (De Niro) and local gangster Sonny (Palminteri). This is another film club choice that I haven't seen yet so there's not much more I can say. I'm really …
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195Rate the Last Film you Watched 2: Electric Boogaloo
What I Watched This Week #154 (Dec 9-15) The Hound of the Baskervilles dir. Terence Fisher/1959/1h27m The winning Hammer trio of director Terence Fisher and actors Peter Cushing and Christopher Lee, who had previous success with Dracula and The Mummy, team up once again for this adaptation of the most famous, and spookiest, Sherlock Holmes story, The Hound of the Baskervilles. Cushing plays Holmes with Lee as Sir Henry Baskerville, under threat from a family curse. Cushing makes for a wonderful Holmes, fitting into the role perfectly, and he has a capable Watson played by Andre Morell, but I did find Lee's role lacking in screen time, though he makes the most of what he gets. I think I would have much preferred to see him play Moriarty in a different story as The Hound of the Baskervilles isn't one of my favourites. What this film does well is atmosphere, particularly in the more supernatural scenes, with some wonderfully otherworldly lighting that feels like a precursor to the Italian giallo horror films of the 70s. 7/10 Memoir of a Snail dir. Adam Elliot/2024/1h34m This Australian stop-motion animation sees Grace (Sarah Snook) tell her sad life story, which starts with her mother dying whilst giving birth to her and her twin brother Gilbert (Kodi Smit-McPhee). When their father dies while they are still young they are sent to separate foster homes. From there Grace grows into a lonely, depressed woman whose only friend is an eccentric old lady called Pinky (Jacki Weaver). Like Elliot's previous feature from 2009, Mary and Max – the story of a pen pal friendship between a lonely, bullied, little Australian girl and a lonely, autistic middle-aged New York man - this is a brutally open and emotionally raw film that still finds beauty in the ugliness of life. This extends to the character design, as these characters all border on the grotesque looking but are still endearing and beautiful in their own way. Going further, this applies to Elliot's own life. After watching his much more autobiographical shorts (see next review) I can see how much of this film is based on experience, and the fact that he's been able to make such a profoundly moving film out of his pain (this also applies to Mary and Max) is deeply touching. As far as feature films go he's two for two in my books and I can't wait to see his next film, even if it takes another 15 years. 10/10 Lime's Film of the Week! Four shorts by Adam Elliot: Human Behavioural Case Studies. Series One. 1996/1m Uncle 1996/6m Cousin 1999/4m Brother 2000/8m These four shorts make up Elliot's filmography prior to the release of his first feature, Mary and Max, and offer up bite-sized samples of his signature style and deeply personal storytelling. That is, with one outlier – his very first film, Human Behavioural Case Studies. Series One. This is a simply animated film, drawn with pencil rather than his usual Claymation stop-motion, where we hear three stories about weird hobbies that some children have. While probably based on reality this lacks the emotional heft that really makes his films hit hard. But this is more than present in his other three shorts that make up a trilogy, Uncle, Cousin, and Brother. These are all autobiographical and relate Elliot's feelings and relationships with each of the named family members, his eccentric, hardware store owning uncle, his cousin with cerebral palsy, and his wild and free older brother. These films are all tinged with sadness and melancholy but there is always humour present, something to make life bearable. If you don't laugh you'll cry. Like I said in the previous review, it's incredible that Elliot has taken so much pain and sadness and transformed that into these works of art. Not as refined as his feature films, these are still very much worth watching and I'll give the whole collection a score of 8.5/10 Mandibles dir. Quentin Dupieux/2020/1h17m Quentin Dupieux is a very unique director who has previously made films about a killer tyre (Rubber), a possessed jacket that wants to be the only jacket in the world (Deerskin), and a man who takes a play, and its audience, hostage because he thinks it's bad (Yannick), so I wasn't that surprised to find that this film is about a couple of idiotic chancers, Manu and Jean-Gab (Gregoire Ludig, David Marsais), who find a giant fly in the boot of their car and see it as a way to make some money. Deadpan Kafkaesque absurdity is the name of the game here, with the two main characters just going with the flow, seeing where their moronic scheme will take them. It's like if Dumb and Dumber was a surreal, European arthouse film. The two leads do a good job of making what could be very unlikeable characters – they're not only stupid, they're also selfish, manipulative, and deceitful – quite charming, and their almost childlike friendship I found to be quite sweet, they even have a special best friends fist bump. I also found it hilarious that at the end, just when we think that they are going to learn a lesson and grow as people, their idiocy is rewarded and reinforced. The more films of his I watch, the more I like the weird world of Quentin Dupieux. 9/10 Women Talking dir. Sarah Polley/2022/1h35m A group of women in an isolated, deeply religious community meet to discuss what they are to do after several of their men are arrested for sexually assaulting them. They decide they have three options, stay and fight for equality in the community, stay and do nothing, or leave. This is a true ensemble piece with many characters, but led by the brilliant trio of Rooney Mara, Jessie Buckley, and Claire Foy each delivering amazing performances. Ben Whishaw is also excellent as August, a kind and gentle man who has recently been let back into the community after previously being excommunicated due to his mother. He is at the meeting to take minutes because of course none of the women were ever taught to read or write. This is a film that is made by the dialogue, with the Oscar winning screenplay really making each discussion totally enthralling as the women struggle to reconcile their faith with the massively traumatic experience they've all been through. 9/10 Seven Chances dir. Buster Keaton/1925/56m This silent comedy stars Buster Keaton as Jimmie Shannon who discovers he's been left seven million dollars in a distant relative's will. The only catch is that he has to be married by seven pm on the evening of his twenty seventh birthday, which happens to be today. This film builds up the comedy over the runtime, starting off with quite subtle slapstick and culminating with a ridiculously over the top chase where he is pursued through the city streets by hundreds of would-be brides. Buster gives a very typical performance of his here, his stony expression exuding a slight air of sadness. While this is very well crafted I do find it to be less imaginative than his best films like Sherlock Jr. or The General. The chase scene is fun but there are no real big set pieces that stand out. But this is still a funny and charming film and well worth watching. 7/10 Toy Story 2 dir. John Lasseter/1999/1h32m Pixar's third film started out as a direct to video project, but when they exceeded all expectations when it came to quality and story it was pushed to full release. Woody (Tom Hanks) is kidnapped by toy store owner Al (Wayne Knight) who's going to sell him to a museum in Tokyo because it turns out he's a rare collectable piece of merchandise from an old TV show. This is how we meet the rest of the Woody's Roundup gang, exuberant cowgirl Jessie (Joan Cusack) and Stinky Pete the Prospector (Kelsey Grammer). This is one of those rare sequels that is almost, if not as good as the original. Woody having to face the prospect of a life where Andy grows up and doesn't need him anymore is really well handled, with the song where Jessie recounts her own owner abandoning her being genuinely heart-breaking. This is also just as funny as the original, with most of that coming from Buzz (Tim Allen), leading a rescue party out looking for Woody. There's also a marked improvement in the animation from the first film here, especially with the human characters who are no longer nightmare inducing. The textures of the fabrics and plastics that make up the toys also look much more detailed. 9.5/10 Wasp dir. Andrea Arnold/2003/26m (no trailer for this) This Oscar winning short film from Andrea Arnold stars Natalie Press as Zoe, a single mother to four young children living in poverty on a council estate. She is asked out to the pub by an old flame Dave (Danny Dyer) but can't get a babysitter, so she makes her kids wait outside for her. This is an honest and non-judgemental look at what it's like for the poorest people in this country. Zoe, as a character is someone who you sympathise with, pity, are outraged by and can feel disgusted by how she treats her children. Her love for them is never called into question, it's a case of a desperate person not making the best decisions. Press gives an amazing performance that feels real and lived in. I'm also amazed that Dyer gave a good performance as I've hated him in everything else I've seen him in. Bleak and raw, there's still a spirit of hope here, small as it may be. 10/10- 2
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195Rate the Last Film you Watched 2: Electric Boogaloo
Let The Sunshine In (2017) dir Claire Denis Juliette Binoche plays Parisian artist Isabelle, looking for her ideal man after a divorce. That makes it sound like a romantic comedy, but it isn't. There's no real romance and although not to be taken too seriously it's not exactly full of jokes either. Isabelle basically tries out various lovers who all fail to live up to expectation on some level; such as the wealthy married man who only calls when it suits him or the younger man who decides he just wants to be friends. Interwoven between these scenes we learn a bit more about who Isabelle is, what she does for a job, meet a few of her friends etc. Binoche is very good, as always, most of the rest of the cast are OK. I did start to get a little bored after about halfway through. There was very little chemistry between the actors, which I guess was deliberate since she was never finding the right man. But right at the end it did step up. The very final scene is great. Isabelle goes to see a psychic, played by Gerard Depadieu. There follows a dialogue as they discuss her various lovers, with him kind of reviewing them. It's almost like she was seeing a therapist, until he brought out a “magic” pendulum type of thing and started making predictions of which ones might turn out to be the right man for her. The film actually ends at this scene plays out with the credits beginning whilst their conversation continues. I'm not sure if the intention of this was to make you watch the credits or maybe it was saying “you can stop watching now, there's nothing important left to see”. But whatever, it was an original bit of film making for me. 6 / 10- 2
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